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Joanne Greenbaum’s painting process lends itself directly to the monotype medium.  She creates work by the continual accretion of odd-ball shapes and architectonic forms which congregate or overlap as if seeking their own nest-like niches within a composition.   Unexpected negative space tweaks these monotypes into a quirky orbit that is somehow just right and aesthetically satisfying.  Sometimes Greenbaum employs toxic colors that battle and abrade amid graphic stencil forms and transfer imagery or else she uses a singular, unexpected color tone emphasizing lozenge-like forms that link and gravitate.  These bold elements that predominate throughout her new monotypes– the punctured disks, the cellular groupings, the boxy lattice work—anchor each work as the eye fishtails around seeking some sort of visual equilibrium.  The outcome is that Greenbaum has succeeded in creating a vocabulary that seduces and convinces, that drags the viewer into the complexities of both process and private vision.